Hysterical MotherhoodThe name Klaus Doldinger isn’t a name that carries too much heft in the States unless you’ve watched Das Boot a few too many times and can recall seeing his name on screen as the composer of the score for that flick. Otherwise, it would seem that while a pretty enormous star in Deutschland, Doldinger hasn’t broken through to American audiences in the same way as in Europe. But if you take a look at some of his work during the ’60s or ‘70s he really should have been embraced by not just jazzbos, but psych foragers as well. Read more
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