This will be understood as sacrilegious, but I'm more likely to toss on and enjoy work from Alice as opposed to John. Her music, in my mind, actually makes sense the entire time. And while there's something to be said for playing from the gut, there's more to music than that.
I can't say that either Sinatra or Jobim have ever been in heavy rotation 'round these parts. There's an implicit cheese in each man's work. This live clip, though, works out.
If you knew that Kenny Barron was this funky, you had one up on me. There's a bit of a Herbie Hanock seventies' vibe here. But Barron moves beyond that and creates a pretty unique track.
Unnecessary intro to this version, but what should we expect from YouTube. Either way, Ella goes in one about the human condition. There're obviously different ways to deal with troubled times, but she figures it pretty well.
Fats Waller was a man that bridged eras. On this track he works out some group improvisation with the Ted Lewis Band. On his own dates, it was always a mix of good time songs and interesting piano led instrumentals. And if nothing else 'Be Kind, Rewind' was kind of about the guy.
Brötzmann's been around for a few decades at this point. And while he's most often associated with the most noisome elements in jazz, this right here is kinda funky...
Earl Hines turns in some bluesy piano work bolstered by an interesting drum patter. And while all of this works on its own, Sidney Bechet's contribution gets the song over and takes it somewhere new...
He changed singing. He changed soloing. He changed jazz. And for whatever reason, Louis Armstrong is still occasionally perceived as cheeseball. Whatever.
First off, look how young Lee Morgan is. Second....well there really isn't a second. This is just a good line up of the Jazz Messengers busting up a ballad.